Fresh off debuting at No. 6 on the Billboard Reggae Albums chart, dancehall superstar Vybz Kartel has revealed that more than 104 songs were recorded for his latest album God & Time while making one of the most surprising declarations of his career. Speaking during an interview with THE FIX Podcast at his exclusive album launch event in Kingston, the deejay said he has officially pledged to stop recording graphic gun songs, explaining that his current musical direction reflects “a different energy and vibes”. The revelation arrives just days after the project secured five nominations at the 2026 Caribbean Music Awards, further fuelling conversation around the entertainer’s latest chapter.
According to Kartel, months of recording sessions went into shaping the 14-track project before he and TJ carefully selected the final songs for release. The album, which features collaborations with Wizkid, Spice, Shenseea, Skillibeng, Mavado and Farruko, blends dancehall with Afrobeats and Latin influences as Kartel continues pushing his music towards wider international markets. During the interview, the entertainer described his collaboration with Nigerian superstar Wizkid as one of his personal favourites, while explaining that the Farruko feature was aimed at helping dancehall expand deeper into the Latin market.
However, it was Kartel’s comments on violent lyrics that quickly dominated online discussion. Addressing the absence of graphic gun content from both God & Time and his recent post-prison releases, the dancehall icon said he intentionally made the decision to evolve his approach to music. “I made a pledge and a oath, I am just not going to record anymore gun songs,” Kartel stated, while adding that he still supports artistic freedom for other artistes within dancehall culture. Referencing pop legend Michael Jackson, Kartel argued that global success does not require violent themes, noting that his newer collaborations with Skillibeng and Mavado represent his updated style of “gangsta” music without excessive graphic content.
Meanwhile, Kartel also addressed his tribute to dancehall veteran Bounty Killer on the album after some fans questioned the decision online. The entertainer defended keeping the tribute intact, saying the song was recorded months ago and reflected genuine feelings he still stands by today. “Why would I change it when I feel the same way?” Kartel said, adding that supporters hoping to see negative energy from him “not going to get it”. He also thanked dancehall fans worldwide for supporting the project, which marks his 12th entry on the Billboard Reggae Albums chart and another top 10 debut for the veteran entertainer.
With God & Time continuing to generate strong streaming numbers, online debate and international attention, Kartel’s latest era appears to signal both a musical evolution and a strategic global expansion for one of dancehall’s most influential figures.
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