Dancehall star Elephant Man is at it again, pushing the boundaries of his craft with the release of his latest remix, Dancing to the Max, a high-energy take on Ghanaian-American singer Moliy’s Shake It To The Max. On Tuesday, the self-proclaimed “Energy Gad” sat down with The FIX Podcast while aboard the Love & Harmony Cruise to discuss his career resurgence, address industry controversies, and weigh in on the ongoing debate about dancehall’s hierarchy.
The conversation was as lively as Elephant Man’s signature performances. Known for anthems like Pon Di River, Pon Di Bank and Willie Bounce, the entertainer emphasized his commitment to keeping the culture’s dance-driven essence alive. “Right now, me a push dancing back to the forefront,” he declared, referencing Dancing to the Max as part of his effort to reignite dance trends within the genre. His statement is backed by statistics—dancehall tracks with strong choreography elements have seen a resurgence, with TikTok dance challenges contributing to millions of views and engagement worldwide.
During the interview, Elephant Man also responded to fellow entertainers who have disrespected his name, making it clear that his contributions to dancehall speak for themselves. He addressed the ever-heated “King of Dancehall” debate, a title often contested between Beenie Man and Vybz Kartel, by emphasizing that longevity and impact should be the real measures of greatness. His credibility in the space was recently reaffirmed by Mr. Vegas, who ranked him among the top five greatest performers in dancehall history—an acknowledgment Elephant Man doesn’t take lightly.
Currently, Energy Gad is one of the headliners on the Love & Harmony Cruise, a premier reggae and dancehall event that brings fans and legends together for an unforgettable experience.
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