Despite her withdrawal from the One Caribbean Music Festival in Trinidad & Tobago over the weekend due to contractual issues, Ghanaian-American singer Moliy and her collaborators Skillibeng, Shenseea, and Silent Addy have reason to celebrate. Their genre-blending smash hit “Shake It to the Max (FLY) Remix” continues to dominate the digital charts, officially becoming the 9th most-streamed song globally for the week ending May 31, 2025. According to Billboard’s Global 200—a weekly chart that tracks the most popular songs based on worldwide digital sales and online streams across over 200 territories—the vibrant remix racked up a staggering 37.3 million streams in just seven days.
This marks a massive leap for the cross-continental collaboration, which climbed 26 spots from No. 53 to No. 27 on the Global 200 in its fifth week on the chart, reflecting its viral growth on platforms like TikTok and its continued dominance in international club circuits. The Billboard Global 200, launched in 2020, ranks the top-performing songs around the world using a weighted formula that incorporates both subscription and ad-supported streams as well as digital sales.
Other global heavyweights featured in this week’s Top 10 include Lady Gaga and Bruno Mars with the chart-topping “Die With A Smile” (72M), Alex Warren’s “Ordinary” (69M), Rosé and Bruno Mars’ “APT.” (58M), and Billie Eilish’s “Birds of a Feather” (52M). “Shake It to the Max (FLY) Remix” stands tall among these pop giants, a testament to the growing global appetite for African-Caribbean sonic fusion.
The single’s success also mirrors a parallel feat on the Billboard Hot 100, where Moliy and Skillibeng both notched their second career entries, while Shenseea and Silent Addy earned their first-ever placements on the coveted U.S. chart. Produced by Silent Addy, a key figure in pushing Caribbean culture to new audiences, the track represents a defining moment in the ongoing musical dialogue between Afrobeats and dancehall—one where these four trailblazers aren’t just making noise, they’re rewriting the rules of global pop success.
